A classic science fiction tale of artifical worlds by one of the great American writers of the 20th century
Glen Runciter is dead.
Or is he?
Someone died in the explosion orchestrated by his business rivals, but even as his funeral is scheduled, his mourning employees are receiving bewildering messages from their boss. And the world around them is warping and regressing in ways which suggest that their own time is running out.
If it hasn't already.
Readers minds have been blown by Ubik:
'Sheer craziness, a book defying any straightforward synopsis . . . a unique time travel adventure that could only be concocted from the fertile psychedelic imagination of the incomparable PKD' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'This pre-cyberpunk gigglefest was an absolute joy to behold . . . I would bill it as a Truman Show-Hitchhiker's Guide to the Galaxy-Barbarella-type of sci-fi' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'If you have not read PKD before I highly recommend Ubik as the gateway into his wonderfully weird fiction. I kind of envy you' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'UBIK is much stranger and more darkly humorous than Do Androids Dream of Electric Sheep . . . although there are many humorous elements, overall the story is dark, philosophical, and just plain disorienting. I found the book impossible to put down' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'A darkly humorous blurring of lines between reality and illusion and a concomitant degree of paranoia' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'About eighty decades ahead of its time, only Ubik can help to process the overwhelmingness of the contemporary age. Chock full of post-death theology, psionics, proto-cyberpunk, and retro-retro-retro future nostalgia' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'We spend a great deal of it unsure of what is real and what isn't and some of the ideas Dick manages to throw in as the story progresses had me grinning and shaking my head at the crazy logic of it all' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
Dans une Amérique imaginaire livrée à l'effacement des singularités et à la paranoïa technologique, les derniers survivants de la contre-culture des années 60 achèvent de brûler leur cerveau au moyen de la plus redoutable des drogues, la Substance Mort.
Dans cette Amérique plus vraie que nature, Fred, qui travaille incognito pour la brigade des stups, le corps dissimulé sous un « complet brouillé », est chargé par ses supérieurs d'espionner Bob Arctor, un toxicomane qui n'est autre que lui-même.
Un voyage sans retour au bout de la schizophrénie, une plongée glaçante dans l'enfer des paradis artificiels.
Emmanuel Curtil s’empare avec maestria de cette œuvre culte, sans doute la plus personnelle et aboutie de Philip K. Dick.
Seven years after the day of the bombs, Point Reyes was luckier than most places. Its people were reasonably normal - except for the girl with her twin brother growing inside her, and talking to her. Their barter economy was working. Their resident genius could fix almost anything that broke down. But they didn't know they were harbouring the one man who almost everyone left alive wanted killed...
World War Terminus had left the Earth devastated. Through its ruins, bounty hunter Rick Deckard stalked, in search of the renegade replicants who were his prey. When he wasn't 'retiring' them with his laser weapon,
he dreamed of owning a live animal - the ultimate status symbol in a world all but bereft of animal life.
Then Rick got his chance: the assignment to kill six Nexus-6 targets, for a huge reward. But in Deckard's world things were never that simple, and his assignment quickly turned into a nightmare kaleidoscope of subterfuge and deceit - and the threat of death for the hunter rather than the hunted ...
In the overcrowded world and cramped space colonies of the late twenty-first century, tedium can be endured through the use of the drug Can-D, which enables the user to inhabit a shared illusory world.
But when industrialist Palmer Eldritch returns from an interstellar trip, he brings with him a new drug, Chew-Z, which is far more potent than Can-D. But could the permanent state of drugged illusion it induces be part of something much more sinister?
The fifth and final part of the complete collected stories shows Philip K. Dick at the very height of his outstanding powers. The twenty-five tales were written between 1963 and 1981, just a few months before he died, and include two stories which have been turned into box office smashes: the title story, filmed as Total Recall, and "The Little Black Box", which grew into his masterpiece Blade Runner.
*****
'Absolute masterpiece! The story is short and is entirely encapsulated in few conversations in just a single day. But the tension of what is real and what is not is great. This is a psychological masterpiece.' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'I love this story - in just a few pages it is a prime example of Philip K. Dick's inexhaustible inventiveness and wittiness. Here especially I was delighted by the story twist(s). Although paranoia as an omnipresent theme of his stories sometimes enervates, in this story that didn't bother me an iota.' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'This book is easily the best ever short story I have ever read. The story contains hardly 30 pages. But, it pulls off being one of the best ever edge-of-the-seat thriller.' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
'This is a dangerous book, and I mean that in the best way possible. Dick's own introductory quote about the revolutionary nature of science fiction writing sets the tone for everything to follow. Avoid it if you don't feel comfortable descending into the mind of an actual madman.' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐
It began with a blinding light, a divine revelation from a mysterious intelligence that called itself VALIS (Vast Active Living Intelligence System). And with that, the fabric of reality was torn apart and laid bare so that anything seemed possible, but nothing seemed quite right.
It was madness, pure and simple. But what if it were true?
World War Terminus had left the Earth devastated. Through its ruins, bounty hunter Rick Deckard stalked, in search of the renegade replicants who were his prey. When he wasn¿t ¿retiring¿ them with his laser weapon, he dreamed of owning a live animal -- the ultimate status symbol in a world all but bereft of animal life. Then Rick got his chance: the assignment to kill six Nexus-6 targets, for a huge reward. But in Deckard¿s world things were never that simple, and his assignment quickly turned into a nightmare kaleidoscope of subterfuge and deceit -- and the threat of death for the hunter rather than the hunted...
Ragle Gumm is an ordinary man leading an ordinary life, except that he makes his living by entering a newspaper contest every day - and winning, every day. But he gradually begins to suspect that his life - indeed his whole world - is an illusion, constructed around him for the express purpose of keeping him docile and happy. But if that is the case, what is his real world like, and what is he actually doing every day when he thinks he is guessing 'Where Will The Little Green Man Be Next?
A few years from now the President of the USA will be an android and his entire government a fraud. Everyone in the country is maladjusted. Doesn't seem possible, does it? Welcome to the world of Dr. Superb, the sole remaining psychotherapist.
Philip K. Dick tells a story of desperate love, lethal body odour and an attempted fascistic takeover of the USA and shows that there is always another layer of conspiracy beneath the one we see.
Jason Taverner has a glittering TV career, millions of fans, great wealth and something close to eternal youth. He is one of a handful of brilliant, beautiful people, the product of top-secret government experiments forty years earlier. But suddenly, all records of him vanish. He becomes a man with no identity, in a police state where everyone us closely monitored. Can he ever be rich and famous again? Or was that life just an illusion?
Based on the stories contained in this volume, the ten-part anthology series, Philip K. Dick's Electric Dreams is written and executive produced by Emmy-nominated Ronald D. Moore (Battlestar Galactica, Outlander) and Michael Dinner (Justified, Masters of Sex), with Oscar nominated Bryan Cranston (Trumbo, Breaking Bad) both executive producing and appearing in the series.
Each episode will be a sharp, thrilling standalone drama adapted and contemporised for global audiences by a creative team of British and American writers. The series will both illustrate Philip K. Dick's prophetic vision and celebrate the enduring appeal of the prized Sci-Fi novelist's work. Other guest stars include Janelle Morae, Anna paquin, Timothy Spall and Benedict Wong.
The ten stories included are:
THE HANGING STANGER, THE COMMUTER, THE FATHER-THING, EXHIBIT PIECE, IMPOSSIBLE PLANET, SALES PITCH, FOSTER YOU'RE DEAD, THE HOOD MAKER, HOLY QUARREL, IF THERE WERE NO BENNY CEMOLI, AUTOFAC and HUMAN IS
For all the strange worlds borne of his vast and vivid imagination, Philip K. Dick was largely concerned with humanity¿s most achingly familiar heartaches and struggles. In Our Friends From Frolix 8, he clashes private dreams against public battles in a fast-paced and provocative tale that ultimately addresses our salvation both as individuals and a whole.
Nick Appleton is a menial laborer whose life is a series of endless frustrations. Willis Gram is the despotic oligarch of a planet ruled by big-brained elites. When they both fall in love with Charlotte Boyer, a feisty black marketer of revolutionary propaganda, Nick seems destined for doom. But everything takes a decidedly unpredictable turn when the revolution's leader, Thors Provoni, returns from ten years of intergalactic hiding with a ninety-ton protoplasmic slime that is bent on creating a new world order.
Jack Isidore is a 'crap artist', a collector of crackpot ideas and worthless objects. His beliefs make him a man apparently unsuited for real life and so his sister, an edgy and aggressive woman, and his brother-in-law, a crass and foul-mouthed businessman, feel compelled to rescue him from it. But, observed through Jack's murderously innocent gaze, Fay and Charley Hume are seen to be just as obsessed as Jack. Their obsessions may be a little more acceptable than Jack's but they are uglier. And, in the end and thanks to Jack's intervention, theirs lead to tragedy ...
Fourteen people arrive on the strange planet of Delmak-O; they have nothing in common other than a desire to make a fresh start. And they have no idea why they are there and no way of escaping. And then the first murder takes place ...
The operating principle was random selection: positions of public power were decided by a sophisticated lottery. Everyone had a chance, everyone could live in hope that they would be chosen to be the boss, the Quizmaster.
But with the power came the game - the assassination game - which everyone could watch on TV. Would the new man be good enough to avoid his chosen killer? Which made for fascinating and exciting viewing, compelling enough to distract the public's attention while the Big Five industrial complexes run the world, the solar system and the people, unnoticed and completely unopposed. Then, in 2203, with the choice of a member of a maverick cult as Quizmaster, the system developed a little hitch...
Mars is a desolate world. Largely forgotten by Earth, the planet remains helpless in the stranglehold of Arnie Kott, who as boss of the plumbers' union has a monopoly over the vital water supply.
Arnie Kott is obsessed by the past; the native Bleekmen, poverty-stricken wanderers, can see into the future; while to Manfred, an autistic boy, time apparently stops. When one of the colonists, Norbert Steiner, commits suicide, the repercussions are startling and bizarre.
A masterly tale of political deception from the most significant SF writer of the 20th century
World War III is raging - or so the millions of people crammed in their underground tanks believe. For fiteen years, subterranean humanity has been fed on daily broadcasts of a never-ending nuclear destruction, sustained by a belief in the all powerful Protector.
Now someone has gone to the surface and found no destruction, no war. The authorities have been telling a massive lie. Now the search begins to find out why.
Imagine a future where crimes can be detected before they are committed, and criminals are convicted and sentenced for crimes before committing them. This is the scenario of Philip K. Dick's classic story, now filmed by Steven Spielberg, starring Tom Cruise.In addition to MINORITY REPORT this exclusive collection includes nine other outstanding short stories by the twentieth century's outstanding SF master, three of which have been made into feature films.
Bruce Stevens is a young buyer for a big discount house when he meets the recently divorced Susan Faine. She suggests that he might like to manage her ailing typewriter store and he leaps at the suggestion. Then he realizes that Susan was his teacher when he was in fifth grade. In spite of that, they are married within days. And then the odd compulsions and instabilities start to interfere with their plans. Milton Lumky, the paper salesman in whose area they live, is uneasy about their future ...
PAYCHECK, originally written as a short story by Philip K. Dick and first published in 1953, centres on an electrician who wakes up to discover his employer has erased his memory of the past two years -- as a security measure. When he tries to collect his paycheck, he finds he has previously signed a release replacing the money with a bag of random objects.
Previous film adaptations of Dick's short stories have included the box office smash hits MINORITY REPORT, TOTAL RECALL and BLADE RUNNER, released shortly after Dick died in 1982.
Drawn from the five volumes of his complete short stories (also published by Gollancz) this volume represents the very cream of Philip K. Dick's output.
It serves both as a celebration of his work, in the 25th year since his death, and as the ideal introduction to his unique take on the world for new readers.
As our culture becomes ever more fluid, as fact is fictionalised, as documentary gives way to reality-TV, as our identities are digitised, as globalism runs wild, as drugs become ever more ubiquitous the world is finally catching up with even the most bizarre of Philip K. Dick's imaginings.
25 years after his death we are living in Philip K. Dick's world, this new authoratitive collection of his best short fiction shows us why.
Based on thousands of pages of typed and handwritten notes, journal entries, letters, and story sketches, The Exegesis of Philip K. Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine.
Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick's brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called "2-3-74", a postmodern visionary experience of the entire universe "transformed into information". In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy.
In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick's life and work.
