Grunge Is Dead weaves together the definitive story of the Seattle music scene through a series of interviews with the people who were there. Taking the form of an "oral" history, this books contains over 130 interviews, along with essential background information from acclaimed music writer Greg Prato.
The early '90s grunge movement may have last only a few years, but it spawned some of the greatest rock music of all time: Pearl Jam, Nirvana, Alice in Chains, and Soundgarden. This book contains the first-ever interview in which Pearl Jam's Eddie Vedder was willing to discuss the group's history in great detail; Alice in Chains' band members and Layne Staley's mom on Staley's drug addiction and death; insights into the Riot Grrrl movement and oft-overlooked but highly influential Seattle bands like Mother Love Bone/Andy Wood, the Melvins, Screaming Trees, and Mudhoney; and much more.
Grunge Is Dead digs deeper than the average grunge history, starting in the early '60s, and explaining the chain of events that gave way to the grunge movement. The end result is a book that includes a wealth of previously untold stories and insight for the longtime fan, as well as its renowned story for the newcomer. Grunge Is Dead collects the whole truth of grunge music in one comprehensive volume.
?Since the beginning of time, men have engaged in hand-to-hand combat. In Ancient Greece, they called it Pankration, a no-holds-barred battle. Over time, one complete combat system was replaced by a variety of limited ones like karate, boxing, and wrestling. In the modern age this created an eternal question: who was tougher? Could a boxer beat a wrestler? Could a kung fu artist dispose of a jiu jitsu man?
The Ultimate Fighting Championship answered those questions emphatically in 1993 - and Mixed Martial Arts was born. Early stars like Ken Shamrock and Royce Gracie propelled this new sport into the North American public's consciousness while pro wrestlers Nobuhiko Takada and Masakatsu Funaki led a parallel evolution in Japan, where cultural forces led to fighters becoming mainstream celebrities.
With no television contract and little publicity budget to speak of, the UFC was forced to adopt an aggressive marketing scheme to get public attention. The potential for carnage and blood was played up and a predictable media outcry soon followed. Politicians, led by Arizona Senator and Presidential candidate John McCain, were able to ban the sport in most states and even managed to suspend pay-per-view broadcasts.
While the popularity of MMA was at an all-time-high in Japan, MMA failed to thrive in America until Spike TV finally took a chance on the controversial sport and The Ultimate Fighter thrust mixed martial arts back into the mainstream, creating new mega-stars like Forrest Griffin and Rashad Evans, and breathing new life into old favourites.
For the first time, Total MMA: Inside Ultimate Fighting arms you with all the history and information you need to know to understand the contemporary world of Mixed Martial Arts, where the backroom deal-making is as fierce as the fighting.
Comprised of all-new, exclusive interviews with Jets players, head coaches, and those closest to the organization, Sack Exchange is not only an eye-opening account of the Jets from this time, but also of the National Football League as a whole.
The New York Sack Exchange was the nickname given to the New York Jets defensive line of the early 1980s, consisting of Mark Gastineau, Joe Klecko, Marty Lyons, and Abdul Salaam.
Examined are such topics as the beginning of the Jets-Dolphons rivalry, the controversial firing of head coach Walt Michaels and hiring of Joe Walton, the team's relationships behind the scenes, the emergence of Joe Klecko, the rise and fall of Mark Gastineau, steroid use among the Jets and in the NFL, the legendary Shea Stadium as well as never-before-heard stories and insight into the legacy of Joe Namath.
Whether it's a report from the real Cannes or a young couple discovering that reading Jacques Derrida aloud can lull their child to sleep, Jim Hanas finds the strange in the everyday and the everyday in the strange.
Hanas writes a lean and powerful line that makes even absurd situations-a man who cries professionally, a beauty queen leaving her slob boyfriend for an astronaut-seem painfully familiar.
Why They Cried answers its own question and the answer is funnier than you think.